Sprite Obey Your Verse

Making lyrics worth their sugar.

Role
Senior Design Lead / Creative Director
Scope
Packaging, Typography, OOH, Campaign Identity
Partners
Turner Duckworth, Golden, Erik Marinovich, James Cuthbert, Craig Stroud

How do you design packaging worthy of the voices on it?


Sprite had a long, credible history with hip hop. But by the mid-2010s, hip hop had evolved from subculture to the culture; a shift led by teens, aka the vanguards of cool. Obey Your Verse was Sprite’s response: a limited-edition summer program built around the artists who defined hip hop. I led design across three years of releases, treating each can as an homage to the music and the lyricists.

Strategy

Coca-Cola proved variable-printing with the Share-a-Coke campaign—names across millions of cans. Sprite’s challenge was harder: fit full verses in a space roughly the size of a business card, and yet feel special. The design had to honor the music and the artist to evoke a unique, authentic, and iconic moment. The inaugural year referenced iconic album art, an unmistakable nod to longtime fans.

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“I never imagined my fans would someday have the opportunity to enjoy a can of Sprite and experience my art in a totally original way.”
Nas
Identity

Sequels flop without fresh content. In year two, I commissioned Erik Marinovich to hand-draw every verse. The goal this time: tune the typography to the artist’s voice. The lyrics gained a synesthetic charge. The fridge packs gained a street-wise throwback. More collectible and personal. Closer to vinyl than packaging.

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System

Scaling the handmade became a technique in variable-printing that Sprite led for The Coca-Cola Company. The system held through three years of evolving artists, evolving concepts, and evolving campaigns, including the “Cold” campaign of 2017, which used Erik’s custom ice-block typography. Consistent technique paired with endless customizable style gave Sprite a design language rooted in self-expression and evolving culture. The best campaigns hand culture the mic.

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“It’s not about telling the story—it’s about weaving the tale.”
GZA